Showing posts with label coffee. Show all posts
Showing posts with label coffee. Show all posts

Friday, November 1, 2019

a message in the spiritual in-box

It's our capacity to sit with the uncomfortable — not how many to-do items we can check off in a day — 
that circumscribes the boundary on how much we are able to move forward. 
– Tara Mohr 



After a respite of several months you deserve a better opening line than this, but here we are again, end of October in Toulouse, happier than ever to be puttering in the pre-dawn hours, fixing a pot of coffee from my new favorite roaster, and planting our tush down to continue this ongoing project of love. 

In accordance with my stern resolve to keep it simple, or at least not-too-complicated, let’s dive right in to this month’s topic. When considering what to write about, I usually begin with a kind of loose inventory of what’s been happening, and notice what resonates. This time, a knock on the door came in the form of an e-mail from Tara Mohr, author of Playing Big. She shared a recent blog post, which struck a chord and continued to sound. It began: 

"When you are stuck, procrastinating, or perfecting…"

. . . and I was like, who, me?

Think of something, she suggested, in your work life that you want to do but are not taking much action around.

OK, you got me.

Because there are a few things — admittedly, more than a few — in my life where I am unable it seems to move forward. I see it there, right in front of me, accessible, available, inviting even; and yet I can’t quite get my arm to lift up and reach for it. Intellectually I know it’d be Good For Me! But something’s stopping me, something I can’t seem to get past.

Often, she says, what prevents us from moving on things, from taking action, is that we don’t want to feel the uncomfortable feelings that might arise — that almost definitely will arise — if we do them.

She goes on to say that this avoidance of what we don’t want to feel “is the invisible drive that shapes our lives, often unconsciously”. We can tell ourselves it's about lack of time, or knowledge, or tools, but often it's simply this: there is something we don't want to feel.

Then she suggested picturing yourself doing that thing, and all the feelings that arise. But it’s not the you-in-five-years-who-has-her-shit-together you, but you now — overtired maybe, young child, too-small apartment, insecurities and hang-ups. Notice the uncomfortable feelings surfacing.



Within maybe fifteen seconds of reading, I thought of twenty things that this could apply to. I started out with the arena of work, and then spilled over into life in general. There’s a lot of overlap. Things like: 

- engaging with/posting on Instagram
- responding to person who wrote me on Instagram
- spending time drawing in the studio
- spending time drawing in the street
- painting
- responding to guy about artwork
- sharing my blog with more people
- texting anyone in French
- looking for a studio space
- contacting JD about possible exhibition
- taking any steps toward organizing next exhibition
- making an appointment with PE
- making a haircut appointment, and going
- making a dentist appointment, and going
- contacting P and meeting for French conversation
- speaking French around the house
- looking directly at my financial life
- going to the seisin
- learning new tunes
- … and pretty much anything related to me playing an any arena that’s bigger, or unfamiliar. 

I noticed, as any reader might, broad themes. Each contained the possibility of growth or expansion. In many cases, there’s a potential consequence I anticipate, and that raises fear.



What Tara then says is that we can tell ourselves it’s about lack of time, or knowledge, or tools (or, in my case, money); but often it’s simply that there’s something we don’t want to feel.

So imagine yourself, she suggests, doing those things. “Live into what it would be like if it was you just as you are now — you with all the difficult feelings and nerves and fear that would show up for you as you do that thing”. Again, this is not some ideal version of you who’s thinner or prettier or less tired or more organized or whose desk is clear, but right now today. And notice what arises. What are those uncomfortable feelings for you?

When she spoke with women, and when I imagined my own feelings arising, these surfaced:

Feeling lost    Feeling unskilled    Feeling small and incompetent    Feeling unsure    Feeling exposed    Feeling foolish after having made a mistake    Worrying that the quality isn’t high enough    Feeling out of control, without a map    Feeling the fear of being ‘not nice’ or selfish   Feeling the confusion of being accused of selfishness    Having to experience the familiar tape of second-guessing and self-doubt about whether it’s good enough . . . 

For me, the biggest is the uneasy feeling that arises when it’s a matter of trusting my decisions. Out into the vast boundary-less universe of not right and not wrong, where the guideposts are internal, or nonexistent.



Fortunately, Tara says — phewf, as le petit garçon might say — there is good news: we are actually capable of experiencing these things, we have the capacity to sit with them, and survive them. We can actually decide that it’ll be OK.

It gets better: we can even be students of the feelings themselves. Explore them, with humor and gentleness. Because the idea, behind this blog and all of it, isn’t to give ourselves 30 lashings and make ourselves feel like shit. It’s to say, gently and kindly, what can we explore here?

As she says: “We can decide it will be okay to feel that thing. We can choose to experience it, and breathe through it . . . what is this feeling about? What earlier feelings in my life does it connect back to? What happens if I sit here through it for a few moments?”



Inspired, I decided to focus on two, Instagram and drawing, on the streets of Toulouse. And as I do, seeing what feelings arise, and agreeing to just feel them.

As predicted, the self-doubt and second-guessing arrived, in spades.

I don’t know what I’m doing    Cringing: Is it any good?    Feeling I am muddling around in the dark, lost at sea alone    Hearing the incessant voices questioning my judgement    Doubting: It could have been better . . . 

I steeled myself. I’m just going to feel what I feel. A little foolishness. A lot of inadequacy.

Maybe she’s right — these are survivable feelings, aren’t they? So first, there’s the willingness to experience them, and finding I can actually weather them. Second, the curiosity — looking around with wonder, and gently opening myself up to those situations and exploring the assumptions behind them, maybe even working them into something new.







Living in France, like any new place, is riddled with the potential to avoid situations where I don’t want to feel uncomfortable things. So many new situations, accompanying awkward feelings. An abundance of items on my list had to do with scheduling appointments. Can it really be that difficult? I mean, c’mon, Una. But also — argh, the intense discomfort of feeling lost, incompetent, unsure, small.

Of course, Life in General is like this, and Pema Chödrön says it really well — that there is this innocent, naïve misunderstanding we have, that we’re supposed to avoid the life that’s right in front of us, that we should try to get away from painful things, and that that would somehow make us happy. She instead encourages us to see clearly what is, with gentleness.

Avoiding uncomfortable feelings seems like a logical idea. But in doing so, am I also blocking progress, preventing myself from accessing something higher, deeper and richer? Is it like Tara says — that “It's our capacity to sit with the uncomfortable — not how many to-do items we can check off in a day — that circumscribes the boundary on how much we are able to move forward”?



Sometimes I worry that I’ve forgotten how to learn. How to go about it, whether to be organized and deliberate, or more open and fluid. Can I just allow things to unfold, without knowing what the final outcome might be?

There is also the idea of should — which never turns out well for me. Not only that I should do it, but that there is a particular way it should be done, a rulebook to follow. I was listening to a talk recently, and the speaker remarked that tools like social media are ours to shape. While we use them, we also actively create them.

I could shift my thinking and attitude, and made it a kind of gift. What do I think it could or should be?

And so I am posting, I’m drawing, I’m feeling uncomfortable feelings as I bob around in this ocean, unmoored. Not rocket science to many of you, I’m sure, but I so needed an apt and unfussy reminder.



Monday, January 21, 2019

Pause Visuelle


That last post took so damned much effort to assemble that I decided, this round, to focus on something straightforward, easier. Isn’t that a lovely word, ease? Perhaps easy doesn’t mean lazy, after all; perhaps it steers us toward what’s natural, what’s genuine. 

I scoured my list of possible topics to see what resonated. Anything that opened my eyes a little wider or made me sit up with attention, unexpectedly, even momentarily? 

All of them seemed just too cumbersome in an already unrelentingly cold January. 

One thing I for sure didn’t want to write about was how in December I attempted in the world’s worst French to guide a gaggle of 6- and 7-year-olds into the world of portraiture, when I ‘volunteered’ for le petit garçon’s class. It took so much energy to just do it, let alone write about it. Suffice it to say that I and 26 kids, together with one maîtresse and my American college student assistant, drew a bunch of portraits, and at moments it wasn’t pretty, but then again nor was it ugly, and we all learned from it I think. 

What struck me more than anything was how much these children loved blind contour drawing. Dessin à l’aveugle, I think it’s called in these parts. I had temporarily forgotten that I love it too. 


Stephanie, the young opera singer, ca. 2010


Adults kvetch a little even within the first two minutes of a blind contour drawing. Their minds wander, they begin to squirm. But these little people did not kvetch. They focused. 

They loved having two rules to follow. One. You MAY NOT look at your paper, not once, during the five or so minutes in which we are drawing. Two. Once you start that line, you keep going, you don’t pick up your pencil or drawing tool. You imagine that you are an ant, you believe that you are this ant, crawling across the surface of whatever it is you’re drawing, and you let your mind quiet, and you DO NOT LOOK AT YOUR PAPER.

I saw you — ah ha! Resist the urge!  

They also loved the results, the funny-looking-yet-recognizable drawings that magically emerged. I showed them one I did recently, how fun they could be. 




The other thing I definitely didn't want to write about was the coffee-making competition I attended in late November. Those of us who know Café Cerise know it is among the best in Toulouse: attention to and passion for coffee combined with atmosphere and overall conviviality. Valentin recently installed his own roaster; he’s the one who generously gave me that list of coffee houses to visit when I went to Paris, entirely spot-on. 

I wonder where people get their distinct preferences for roasting time, because their beans, and roasting in general here, strikes me as a bit on the light side, I’ll call it an impressionist roast, whereas I prefer something more bold and intense and grounding, maybe something more expressionist. I bravely face this battle daily. 

… but I digress.

Valentin’s been hosting these cuppings and competitions recently, first for the Aeropress European championships would you believe, this time for a pourover contraption called the Hario V60. I confess it was a bit over-the-top even for this enthusiast: as competitors weighed their grounds to the fraction of an ounce and fussed over the best way to pre-moisten their filters, I kept thinking, a possible delicious cuppa is sitting there getting cold! You serve it lukewarm, and it may have subtle toffee or ruby notes, but that whole component of the coffee-drinking experience went down the proverbial drain. 



But both these events inspired me, woke something dormant. I thought, you know, why not just embrace these recent reminders of things I love, scramble them together, and take a break from all those words? So — here we are, with a pause visuelle you might say, of blind contour drawings inspired by daily life. 


. . . starting with coffee, of course

I hope you enjoy them. 

Winter, I'm told, is secretly preparing treats for us, but they won’t be ready for a while — something called spring I think it is? Hang in there. I will too.


We begin rough, with whatever's at hand . . . 

. . . and continue with leftovers from tree-decorating


The kaki trees — persimmon to you and me — which have generously agreed to wear their fruit a little longer, brightening otherwise stark surroundings. They’re everywhere; yet few people I've met seem to eat or cook with them…



Tools of the trade

Winter will not last forever, little grape vine